Copy of Frederic Bazille's "Young Woman with Peonies"
BRUCE I. CAMPBELL
Contact Bruce at atelierbic@gmail.com or through his website atelierbic.com
Bruce Ignatius Campbell (BIC) is an active professional fine artist and visual arts instructor. A native Washingtonian, Campbell began his art journey at an early age with art study and earning a Bachelors in Studio Art at UMD. He perfects his talent from his home studio, "Atelier BIC" based in Silver Spring, MD.
Campbell is strongly influenced by traditional realism. He has participated in the copyist program at the National Gallery of Art (NGA) for two decades and has completed over two dozen original replicas from the NGA's collection. Bruce has focused on oil painting the last 30 years. His original and copy portfolio unites epic, genre, figure, portrait, land-seascape, and still life works.
Campbell is faculty member at the Stone Branch School of Art in Rockville, MD. He offers private lessons at his Atelier BIC studio and through workshops. Bruce is a mentor for the Riverdale Park Arts Council's Annual Gerald King Award competition with 1 on 1 tutelage to the winning art apprentice. He directs weekly figure drawing at the late King's legacy studio "Atelier Royal" in Riverdale, MD all designed to share drawing-based fine art. His passion and effective teaching style have made Bruce a beloved teacher to many student artists.
Campbell is a member of the National Portrait Society and Oil Painters of America among other local art groups. Bruce's art exhibitions can be found throughout the DC Metro area where he has received multiple awards and recognition for his masterful classical style. His recent displays include competitions and solo shows.
“Fruit, Jug and a Glass,” Jean Siméon Chardin, 1726-1728, Original 13-3/16 x 16-15/16 in
Bruce I Campbell, copyist 16 x 20 in
“Scene in the Catskills,” Paul Weber, 1858, Original 21 × 17-1/4 in
Bruce I Campbell, copyist 24 × 20 in
“Pierre Louis Alexandre,” Karin Bergöö Larsson, 1879–1880, Original 36-5/16 x 28-15/16 in
Bruce I Campbell, copyist 30 × 24 in
“Hide and Seek,” James Jacques Joseph Tissot, 1877, Original 28-7/8 x 21-1/4 in
Bruce I Campbell, copyist, 32 x 24 in
“Wivenhoe Park, Essex,” John Constable, 1816, Original 22 1/16 x 39 13/16 in
Bruce I Campbell, copyist, 20 x 36 in
“Beach in Normandy,” Gustave Courbet, c. 1872-1875, Original 24 1/2 x 36 1/2 in
Bruce I Campbell, copyist, 28 x 40 in
“Voyage of Life Manhood,” Thomas Cole, 1842 , Original 52 7/8 x 79 3/4 in
Bruce I Campbell, copyist, 26 x 40 in
“Natural Arch at Capri,” William Stanley Haseltine, 1871, Original 35 x 55 in
Bruce I Campbell, copyist, 36 x 40 in
“Bay of Rio,” Martin Johnson Heade, 1864, Original 17 15/16 x 35 7/8 in
Bruce I Campbell, copyist, 20 x 38 in
“Still Life with Carafe,” Willem Kalf, 1660, Original 25 3/8 x 21 3/16 in
Bruce I Campbell, copyist, 40 x 36 in
“Still life with Fruit and Carafe,” Pensionate del Saraceni, c. 1610-1620, Original 19 13/16 x 28 3/16 in
Bruce I Campbell, copyist, 22 x 31 in
“Siout, Egypt,” Sanford Robinson Gifford, 1874, Original 21 x 40 in
Bruce I Campbell, copyist, 40 x 36 in
“Stranded Ship,” Asher Brown Durand, 1876, Original 37 x 51 in
Bruce I Campbell, copyist, 30 x 40 in
“The Holy Family at the Steps,” Nicolas Poussin, 1648, Original 27 1/6 x 38 1/2 in
Bruce I Campbell, copyist, 26 x 40 in
“Venice: The Dogana and San Giorgio Maggiore,” Joseph Mallord William Turner, 1845, Original 36 x 48 1/16 in
Bruce I Campbell, copyist, 30 x 40 in
“Jesus Cleansing the Temple,” Domenikos Theotokopoulos El Greco, pre-1570, Original 25 3/4 x 32 3/4 in
Bruce I Campbell, copyist, 28 x 40 in
“The Last Supper,” Sebastiano Ricci, 1714, Original 26 3/8 x 40 15/16 in
Bruce I Campbell, copyist, 25 x 40 in
“The Martyrdom of St. Lucy,” Veronese, 1582, Original 55 x 68 1/4 in
Bruce i Campbell, copyist, 28 x 40 in
“The Apostle Paul,” Rembrandt van Rijn, 1657, Original 70 x 59 1/4 in
Bruce I Campbell, copyist, 32 X 40 in
“The Meeting of Abraham & Melchizedek,” Sir Peter Paul Rubens, 1629, Original 25 13/16 x 32 7/16 in
Bruce i Campbell, copyist, 28 x 40 in
“Washerwomen on the Banks of the Durance,” Paul Guigou, 1866, Original 26 x 45 1/4 in
Bruce I Campbell, copyist, 18 x 40 in
“The Alba Madonna,” Raphael, 1510, Original 37 3/16 in diameter
Bruce I Campbell, copyist, 40 in diameter
“The Favorite of the Emir,” Jean Joseph Benjamin Constant, 1879, Original size 56 x 87 in
Bruce I Campbell, copyist, 30 x 40 in
“Breezing Up (A Fair Wind),” WInslow Homer, c. 1873-1876,
Original 24 3/16 x 38 3/16 in
Bruce I Campbell, copyist, 32 x 40 in
“Church of Santa Maria Della Febbre, Rome,” Pieter Jansz Saenredam, 1629, Original 14 7/8 x 27 3/4 in
Bruce I Campbell, copyist, 18 x 30 in
“Still Life with Dead Game,” WIllem Van Aelst, 1661, Original 33 3/8 in x 26 1/2 in
Bruce I Campbell, copyist, 30 x 36 in
“A Chief of Abyssinia,” Henri Regnault, 1871, Original size 16 5/8 × 12 5/8 in
Bruce I Campbell, copyist, 16 x 20 in
“A Pastoral Visit,” Richard Norris Brooke, 1881, Original 47 × 65 13/16 in
Bruce I Campbell, copyist, 29 x 40 in
“Green River Cliffs: Wyoming,” Thomas Moran, 1881, Original 25 × 62 in
Bruce I Campbell, copyist, 16 x 40 in
“Apollo Pursuing Daphne,” Giovanni Tiepolo, 1755/1760, Original 26 15/16 x 34 1/14 in
Bruce Campbell, copyist, 30 x 36 in
“Colonel Guy Johnson and Karonghyontye (Captain David Hill),” Benjamin West, 1776, Original 79 3/4 x 54 1/2 in
Bruce I Campbell, copyist, 40 x 27 in

“Young Woman with Peonies,” Frederic Bazille, 1870, Original 23 5/8 x 29 1/2 in
Bruce I Campbell, copyist, 22 x 27 in